Nairobi, a bridge between indoors and outdoors.

In the low silhouette smoking version and in the taller dining silhouette version, two compact, secure legs supporting a majestic table, we find the sinuosity of an informal character: an invitation not to choose a set side to sit on, the approach to adventure becomes outdoor-friendly.

Crossing the threshold into the dining or study area, however, those same characteristics interpreted in the version featuring sandblasted solid ash that has been stained black take on a more solid personality. It is the versatility with which Nairobi succeeds in giving substance to the idea of the world we have built up through travelling and living, the synthesis of the freest experiences and those regulated by the rules of coexistence; it indicates a more relaxed way of welcoming, a conversation without labels.

While furnishing the outdoors becomes a way to build a bridge to the imaginary, with the same pieces, at home, Baxter rewrites a page in the rulebook of contemporary living.